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After Hour & Mini Ball

2024

Explores the complex joys of Black queer nightlife and community during the early to mid 2000s. A time when LGBTQIA+ visibility was blossoming in media and creative works played a pivotal role in liberating spaces. Gay bars in this era were not just a source of entertainment, but a sanctuary that took passionate organizers to create uplifting spaces.As a poor and queer Black midwestern teen, few safe havens existed so I grew curious about "The Afties" - mythical spaces were voguing, spiked punch, and chosen family awaited.Though underage, I began sneaking out to after-hours clubs with friends whose identities overlapped mine. At 15, fake ID in hand, I yearned only to soak up the culture I'd heard was fabulous.Those experiences birthed my passion for gender-nonconforming and same-genderlovingBlack folk. Witnessing their confident brilliance firsthand awakened my imagination and planted seeds of self-acceptance that later bloomed. Despite my vulnerability, I never felt more seen and safe.I learned authentic living was possible.The venues weren't glamorous, just banquet halls in rundown strip malls, but none of that mattered once inside where the people shone brightly. As I built community, sites like BlackGayChat.com fostered more connections and works like Noah's Arc revealed Black queer artistry. By observing late-night voguing sessions, I learned the dance’s five elements. Though imperfect, these spaces nurtured mygrowth.The love that blossoms within oppressed communities searching for hope is profoundly radical and transformative. It's in these spaces of resistance where joy, creativity, and liberation emerge to impact the world. Cultural touchstones like voguing, Black gay and queer vernacular, andstyle exemplify this transformative power. In "AFTER HOURS AND MINI BALL," I aimed to capture some of the magic born from marginalized communities.

Mediums:

Mixed Media

Media:

Design Deck:

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Fans (6)

Ink on Paper
8”W x 10”L 

Jazzies Afties Flyer Print

Ink on paper, wood, polymer 49”L x 18”W x 10”H

Bling Bling Sculpture

​Papier mâché, cotton, rhinestones

21”L x 17”W x 1”H

Wee Wee Sculpture

Canvas, cotton, acrylic paint

Flat: 3’W x 23”L
Balled Up: Approximately
18’’W x 17”L x 3”H

Puff Puff Scultpure

​Papier mâché, wood, polymer

58”L 4”W x 3”H

Kiss Kiss Sculpture

​Papier mâché, aluminum, foam

50”L x 18” W x10”H

Fans

Folding-Hand Fans have been a staple in ballroom culture for generations,

serving both practical and dramatic purposes.

This collage of fans creates its own hand performance, blending ballroom culture mainstays with mid-2000s nostalgic iconography that intersects the community's multifaceted identities.

BlackGayChatLive.com served as a vital digital platform that enabled Black queer people to connect, date, find intimacy, and build community. At a time when MySpace, Blackplanet, and Urban Chat reigned, it carved out a distinct and much-needed space.

BGC

BlackGayChatLive.com served as a vital digital platform that enabled Black queer people to connect, date, find intimacy, and build community. At a time when MySpace, Blackplanet, and Urban Chat reigned, it carved out a distinct and much-needed space.

Noah's Arc

Created by the talented and brilliant Patrik-Ian Polk,
Noah's Arc was the first television series of its kind, providing a groundbreaking visual representation of gay black men in all our diversity. The show followed four gay black men living in
West Hollywood as they pursued love, happiness, and self-discovery, touching on important topics in a relatable way.

YouTube

In the mid-2000s, YouTube pioneered online video sharing by allowing almost anyone to upload videos that often went viral. While I was attending ballroom events in the Midwest, YouTube offered me a window into the diverse facets of this artform through voguing battles, performances, and ballroom commentary. This era of online video helped connect black queer communities by sharing experiences while expanding one another’s creativity.

Black Inches

The adult magazine Black Inches featured photo shoots with major Black gay pornstars and reviewed adult content, providing some of the only media at the time that portrayed Black Gay Men in romantic contexts. This rare visual representation helped normalize same-gender attraction and explore those feelings without stigma or shame.

CoCoDorm

As I began exploring my sexuality at a young age, I sought out media that reflected me. CocoDorm featured young Black Men engaging in intimacy, in a college themed set. The men’s style, school theme, and same gender intimacy were all my real life experiences at that time.

Brother to Brother

Brother to Brother: New Writings by Black Gay Men made its debut in 1991.  Brother to Brother began by Joseph Beam and was completed by Essex Hemphill after Beam's death in 1988. A new edition was published in 2007. Although the work is not of that era, it is important to keep these stories platformed so generations before can be educated. 

 

I approached this series with the same intentions that introduced ‘Brother to Brother’ to the new era. That is, to keep sharing our stories.

JAZZIES AFTIES: PRINTED FLYER

Event flyers are often underestimated when considering the success or longevity of the event. They serve as persuasive media, aiming to captivate your imagination, reflect your identities and intersections, and build trust. These flyers become historical markers, preserving the memories made during the event. This graphic illustration promotes a fictional After Hours and Mini Ball Event that took place on Juneteenth 2004. The text is accompanied by a depiction of a masculine figure wearing a Kente Cloth undergarment and adorned with waist beads. The print is supported by mounted wood and oversized paper clips.

Gettin' Ready: Party Essentials

‘Gettin Ready’ is made up of 4 sculptures depicting the process of getting ready and prepping for the After Hours & Mini Ball.

Puff Puff

Puff Puff represents cheap cigars that we would buy at the corner store that knew us well. We were young and we wanted to avoid getting carded no matter what. Smoking tobacco at that time was rebellious and sexy.

Bling Bling

During the early and mid-2000s, there was a significant trend of embracing extravagant jewelry and accessories. This trend was particularly prevalent in the Hip Hop community, which served as a direct influence on my community. Despite the seemingly unattainable wealth associated with this fashion style, it continued to captivate our culture. Aspiring to achieve a Hip Hop Star appearance, we would adorn ourselves with cubic zirconia earrings sourced from hair supply stores.

Wee Wee

Jockstraps are a fascinating undergarment that, while originally designed for protection in sports activities, have also gained popularity in the realms of fashion and kink wear. It is worth noting that Black Men constitute the majority of professional athletes in major American Sports. This representation often places significant expectations on Black Men to conform to specific ideals of masculinity. However, it is important to recognize that Black Men are not a monolithic group and can serve various unique purposes authentically.

Kiss Kiss

My community has demonstrated unwavering brand loyalty to Carmex for generations. As a teenager, I considered it absolutely essential to always have a lip balm within reach, and my go-to choice was Carmex, much like the majority of people around me. The texts on the container serves as a reminder to the joy those times brought me attending After Hours and Mini Balls in my youth.

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